MAKING TEXT

Keston Sutherland | THESES ON ANTISUBJECTIVIST DOGMA

raygonne — Fri, 10 May 2013 13:31:08 -0400

Keston Sutherland | THESES ON ANTISUBJECTIVIST DOGMA:

7. There is no such thing as “traditional poetry” and there is no such thing as “the Lyric I”. The use of the first person pronoun in poetry is as various and complex as the use of language itself.

"The concept of creativity and productivity serves the market. New things look fishy, but they might..."

raygonne — Sat, 20 Apr 2013 19:00:00 -0400

“The concept of creativity and productivity serves the market. New things look fishy, but they might build a bridge to the bourgeois (“Make it new!” (Ezra Pound)). There is a poetic industry and there is conceptualism, which is questioning this industry as an aesthetic question. It is the floating of the Fountain (Marcel Duchamp) and it says “All good things have something lazy about them and lie like cows in the meadow” (Friedrich Nietzsche).”

- SWANTJE LICHTENSTEIN

https://jacket2.org/commentary/conceptualist-autopoiesis-dialogue-between-divya-victor-united-statesindiasingapore-swant

ELECTRONIC LITERATURE RESOURCES

raygonne — Sat, 20 Apr 2013 17:19:00 -0400

AKA DIGITAL LITERATURE, ELECTRONIC WRITING, WRITING : DIGITAL MEDIA, E-POETRY, DIGITAL POETRY, NEW MEDIA WRITING, TAVIT, &C.

ELECTRONIC LITERATURE COLLECTION VOLUME 1

ELECTRONIC LITERATURE COLLECTION VOLUME 2

Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) DATABASE

UNDERACADEMY COLLEGE

WRITING IN THE EXPANDED FIELD

GLIA [JHAVE]

MACHINE LIBERTINE

ca BARTHES

raygonne — Fri, 19 Apr 2013 22:29:47 -0400

ca BARTHES

BACK TO COLLAGE

raygonne — Fri, 19 Apr 2013 21:41:30 -0400

“UnderAcademy is not anti-academic, it is under — like under the influence of the academy. And, we are not a university; we are called a college because of its phonological proximity to collage.”
Talan Memmott
Provisional Provost UnderAcademy College

PARANOID SHIPWRECK

raygonne — Fri, 19 Apr 2013 13:38:00 -0400

PARANOID

SHIPWRECK

chew

brookeellsworth — Fri, 19 Apr 2013 10:55:56 -0400

chew

readjust

brookeellsworth — Fri, 19 Apr 2013 10:46:10 -0400

readjust

visual-poetry: »carnival (excerpts from the first...

raygonne — Sun, 14 Apr 2013 11:06:34 -0400

visual-poetry:

»carnival (excerpts from the first panel)« by steve mccaffery

ROSMARIE WALDROP, WHY DO I WRITE PROSE POEMS

raygonne — Sat, 13 Apr 2013 10:02:17 -0400

ROSMARIE WALDROP, WHY DO I WRITE PROSE POEMS:

Eclipse

raygonne — Fri, 12 Apr 2013 13:01:23 -0400

Eclipse:

digital book objects

CLARK COOLIDGE, POLAROID

raygonne — Fri, 12 Apr 2013 12:55:08 -0400

CLARK COOLIDGE, POLAROID

ittoitto: Rosmarie Waldrop. Feverish...

raygonne — Fri, 12 Apr 2013 12:37:33 -0400

ittoitto:

Rosmarie Waldrop. Feverish Propositions. (text)

Rosmarie Waldrop reads from The Reproduction of Profiles

"I am in dialogue when I write a poem, but not with a prospective reader, not even the..."

raygonne — Fri, 12 Apr 2013 12:08:55 -0400

“I am in dialogue when I write a poem, but not with a prospective reader, not even the “ideal” reader, but with language itself.”

- Rosmarie Waldrop, “Alarms & Excursions”

visual-poetry: by bpNichol (+) from the book the cosmic chef...

raygonne — Wed, 10 Apr 2013 21:28:34 -0400

visual-poetry:

by bpNichol (+) from the book the cosmic chef (1970)

whitneymuseum: John Kelsey, Depesrsion, Impoetnce,...

raygonne — Wed, 10 Apr 2013 21:27:25 -0400

whitneymuseum:

John Kelsey, Depesrsion, Impoetnce, 2012.

Kelsey repurposed found language from spam emails for these “poems,” which he presents on paper featuring the old Whitney Museum insignia, the eagle. The lists of names indicate the emails’ senders, the titles are drawn from the subject lines, and the “stanzas” consist of the seemingly random, cut and pasted content of the messages.

Bottom right photograph by Tyko

CONSTRUCT: TRANSLATOID, TRANSLATEASE, INFLUENCY

raygonne — Tue, 09 Apr 2013 22:13:19 -0400

TRANSLATE FROM A PARTIALLY UNDERSTOOD TEXT

FOR EXAMPLE, FROM A LANGUAGE YOU IMPERFECTLY UNDERSTAND

OR FROM A DISCOURSE COMMUNITY TO WHICH YOU DO NOT BELONG

DO OR DO NOT USE A DICTIONARY OR TRANSLATION ENGINE

IF YOU HAVE PARTIAL FLUENCY (INFLUENCY) IN MORE THAN ONE LANGUAGE, CONSIDER TRANSLATING BETWEEN THOSE LANGUAGES

WHERE THERE ARE GAPS, LEAVE GAPS, OR FILL THEM

FEEL FREE TO ABANDON THE PREMISE

CONSIDER POSTING YOUR RESULTS TO MAKING TEXT

FIND US WITH THE LEMURS

raygonne — Mon, 08 Apr 2013 11:27:49 -0400

FIND US WITH THE LEMURS:

Find Us With the Lemurs: Disability and the Språkgrotesk
By Joyelle McSweeney and Johannes Göransson

MANIFESTO OF THE DISABLED TEXT

raygonne — Fri, 05 Apr 2013 16:56:00 -0400

MANIFESTO OF THE DISABLED TEXT:

11.Translation is not only the text rendered into a new language; it is the entire operation. We don’t speak of the original and the translation, that is, the original and the plagiarized copy. When we say “translation” we mean the entire on-going process. And this process in all its ongoingness is the prosthetic.

"It is the writer’s role to test out, provoke the naturalized edges and bounds of language use..."

raygonne — Fri, 05 Apr 2013 16:04:00 -0400

“It is the writer’s role to test out, provoke the naturalized edges and bounds of language use and rules.”

- Caroline Bergvall, “Midding English” 16-17